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| The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The "Royal Albert Hall Concert" |  | Artist: Bob Dylan
Label: Sony
Category: Music
List Price: $15.99
Buy Used: $7.54
as of 2/7/2012 14:26 CST details
You Save: $8.45 (53%)
New (31) Used (30) Collectible (5) from $7.54
Seller: media_pusher
Sales Rank: 4,595
Format: Live
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.4
Dimensions (in): 5.6 x 5 x 0.5
UPC: 074646575925
EAN: 0074646575925
ASIN: B00000D9TO
Release Date: October 13, 1998
Availability: Usually ships in 1-2 business days
Condition: U
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| Tracks:
Disc 1
| • | She Belongs to Me | | • | Fourth Time Around | | • | Visions of Johanna | | • | It's All over Now, Baby Blue | | • | Desolation Row | | • | Just Like a Woman | | • | Mr. Tambourine Man |
Disc 2
| • | Tell Me, Momma | | • | I Don't Believe You (She Acts Like We Never Have Met) | | • | Baby, Let Me Follow You Down | | • | Just Like Tom Thumb's Blues | | • | Leopard-Skin Pill-Box Hat | | • | One Too Many Mornings | | • | Ballad of a Thin Man | | • | Like a Rolling Stone |
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| Editorial Reviews:
Amazon.com's Best of 1998
Nineteen ninety-eight: The same year he dances with Soy Bomb at the Grammys, his record label finally issues Bob Dylan's ultimate live document. A classic case of not giving the audience what they want but what they need, Mr. Dylan's oft-bootlegged 1966 gig begins with lovely and supple folk that foreshadows folk music's turn from protest song to introspection. The album's true highlight is the legendarily ill received and rocked-out electric set, with Dylan backed by members of the Band. There are too many perfect, on-fire guitar solos by Robbie Robertson to count, and Dylan himself responds to the audience's angry bewilderment with equal parts menace, grace, and brilliance. --Mike McGonigal
Amazon.com essential recording
The greatest live recording in rock & roll history was--officially, at least--buried in the vaults of Columbia Records for more than a quarter of a century. But no more: Live 1966: The "Royal Albert Hall" Concert has surfaced on two discs mixed and mastered from three-track source tapes that put the myriad pirated recordings to shame. More important, Live 1966 documents a momentous artistic showdown between a willful, inflamed, and utterly fearless performer and his headstrong core following. The Dylan of the mid '60s had made the leap from socially conscious voice of his generation to surrealistic electric poet, a transformation that was met with contempt by a vocal element of his audience. The most telling moment of the recording centers on the standoff: A folk zealot in the audience shouts, "Judas!" earning cheers from the contentious crowd. Dylan responds by snarling, "I don't believe you. You're a liar," then turns to his group, the Hawks (soon to become the Band), and, as the intro to "Like a Rolling Stone" takes shape, commands, "Play loud!" A crucial moment and, time has demonstrated, the correct call. --Steven Stolder
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