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The Rolling Stones: Gimme Shelter (The Criterion Collection)

The Rolling Stones: Gimme Shelter (The Criterion Collection)Artists: The Rolling Stones, Mick Jagger, Keith Richards (II), Mick Taylor, Ike Turner
Label: Criterion
Category: DVD

List Price: $24.95
Buy New: $15.59
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New (45) Used (28) from $12.08

Seller: newbury_comics
Sales Rank: 9,132

Format: Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, NTSC
Languages: English (Unknown), English (Subtitled), English (Original Language)
Rating: R (Restricted)
Region: 1
Discs: 1
Aspect Ratio: 1.33:1
DVD Layers: 2
DVD Sides: 1
Running Time: 91 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.3 x 0.6

MPN: PMIDGIM020D
ISBN: 0780023811
UPC: 037429154526
EAN: 9780780023819
ASIN: B00004YZFR

Theatrical Release Date: December 6, 1970
Release Date: November 14, 2000
Availability: Usually ships in 24 hours

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Product Description
GIMME SHELTER - DVD Movie

Amazon.com
To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force.

By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence.

Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland



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